"But what is wrong with frivolity, art-world insider games, or with
bewildering art objects being displayed in a museum? Nothing is wrong
with these things, of course, unless they are piled up as in a blockade
to make passage of any useful images or ideas very difficult. What
disheartens me when I enter the contemporary wing of the Museum of
Modern Art, although it could be any contemporary wing, anywhere, since
there is now only one message, which is that a once-vital avenue of
human connection is clogged with things that rebuke the notion of
connection. I watch people wandering through these vast rooms looking
somewhat glazed, half asleep—many of them, no doubt, suspecting that
they are not clever enough or sufficiently educated to receive the
blessing of high art. It saddens me that they came to experience art in
good faith, believing that through it they might become uplifted,
sensitized to life, as they would be if they had stayed home and read a
good contemporary novel. Museum-goers are being deceived about the
breadth of contemporary art and what it could offer them.
--Alan Magee, artist
Quoted in "Death Of The Liberal Class" by Chris Hedges, p. 118
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